List of Accepted Abstracts

The response to the cfp was overwhelming and we received a wide range of fascinating abstracts. Due to the extent and quality of the papers we have decided to extend the symposium to a two-day event. The symposium will be held at Goldsmiths College, University of London on Saturday 20^th & Sunday 21^st November 2010.

The list of accepted abstracts (in no particular order)

Frantisek Zachoval ART–y-CHOK-e {http://artycok.tv}

Zlatan Krajina How to Tame the Sun: Visual Indulgences at a Screen-Place as Strategies of Appropriation

Sudeep Dasgupta The Screen beside Itself: Situational Transformations in Visual Culture

JP Kelly In the “Perpetual Now”: 24 and the Distribution of Real-Time

Catrien Schreuder Pixels and Places: Video Art in Public Space

Nicola Evans Rambo Remix

Leandro Valiati Cultural Economics and Movies: Indicators and empirical research

Stephanie Janes Viral Marketing Strategies in Hollywood Cinema.

Adnan Hadzi 'Why Openness Matters: the Deptford.TV Project'

Keith Beattie ‘Controversial True Story!’: Controversy and the Exhibition, Distribution, and Reception of Documentary Film

Claudy Op den Kamp The forgotten ones: is audiovisual archival public domain material really freely available?

Luca Barbeni Until the End of Cinema

Marc Stumpel File-sharing or attention-sharing? Implications of the hybrid economy

Simone Knox Besides, On and Through the Screen: The Transnational Distribution and Consumption of Cinema

Hadija Chalupe The Brazilian Movie Distribution: A road connecting audience and feature film

Thomas Forget The Space of Digital Cinema

Marin Hirschfeld Redacted and the Problems with Appropriating Amateur Digital Discourses

Patricia Moran Contemporary views of traditional exhibition venues The image time: procedure of cultural remix

Melanie Kennedy High School Musical as a Made-for-Television Tween Musical

João Angelo Fantini Piracy as Marketing

Felix Seyfarth Television 2.0: Exploring user-generated video and online participation

Patricia Iuva Trailer aesthetic

Vito Campanelli The DivX and MP3 Experience

Hannah Andrews The BBC Film Network: User-generated Content and the Public Service Broadcaster

Maarten Brinkerink Open Images: Establishing an Audiovisual Commons

Ana Carvalho The ephemeral in AV realtime practices: an analysis into the possibilities for its documentation.

Dominik Hasler Party as art? AntiVJ and the migration of VJing into the sphere of fine arts.

Laura Rodriguez Isaza Touring the Film Festival Circuit: Migrating Patterns of Latin American Cinema

Evelin Stermitz ArtFem.TV [www.artfem.tv]

Stefania Charitou Projection dislocated

Bojana Romic New Exhibition Spaces: viral video goes offline?

Miriam Ross Screening in the Interstices: Alternative Exhibition in Latin America